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Photography > Aussie Photographing > Re: D200 vs D30...
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Re: D200 vs D300 at ISO 1600

by Willarojo <macrophotog@[EMAIL PROTECTED] > Apr 12, 2008 at 11:04 PM

PixelPix <mail@[EMAIL PROTECTED]
> vehemently accused in
news:162f4967-3904-4857-b61d-9cceea6a956c@[EMAIL PROTECTED]
 

> On Apr 13, 12:35 am, Willarojo <macropho...@[EMAIL PROTECTED]
>
> wrote: 
>> "Rita Berkowitz" <ritaberk2...@[EMAIL PROTECTED]
> vehemently accused
>> innews:YsmdneCCFrE4gGTanZ2dnUVZ_qvinZ2d@[EMAIL PROTECTED]
 
>>
>>
>>
>> > Steve wrote:
>>
>> >>> Don't be fooled into thinking that by shooting RAW your WB
>> >>> settings doesn't have any effects on the image.  An
>> >>> improperly set WB will result in a significantly higher
>> >>> noise floor for your RAW images. This is most evident on
>> >>> the blue channel.  WB settings drive other key camera
>> >>> settings that will affect image quality.
>>
>> >> Ok, so please explain to me how the camera WB setting effect
>> >> the raw image other than by just recording what the WB
>> >> setting was in the EXIF data and by using it for the
>> >> embedded JPEGs? 
>>
>> > There are many more articles, but here's a simple one.
>>
>> > "This article was great because it really dispels the myth
>> > that RAW can fix everything; the camera literally captures
>> > differently depending on its white balance setting."
>>
>> > <http://www.ppmag.com/web-exclusives/2007/11/white-balance-the
>> > -se cret-weapo-1.html>
>>
>> >> Maybe I just don't understand but everything I've read and
>> >> witnessed leads me to believe that the WB setting doesn't do
>> >> anything at all to the image data in the raw file.
>>
>> > You, like many others, erroneously assume RAW data is just
>> > that, 100% unprocessed data from the sensor, it is not.  WB
>> > is calculated into setting many different camera parameters,
>> > even simple ones such as how the camera exposes an image. 
>> > True, you can always change this is post, but at a cost. Set
>> > you WB so you can intentionally blow your blue channel and
>> > come back and tell what you find after you correct it in
>> > post.  You get more leeway with RAW than using JPG, but you
>> > are still not getting a free lunch shooting RAW. That is why
>> > it is so im****tant to get it right in-camera.
>>
>> > Rita
>>
>> Is it too late to jump in on this one?
>>
>>     I read the article in "ppmag" and I have a question: is the
>> author suggesting that because changing the color/WB sliders
>> while manipulating a RAW file is the same as (or at least
>> comparable to) varying the WB settings that were set when the
>> RAW was taken?  Is she suggesting that post-shot processing is
>> directly comparable to shot-taking settings?  Am I
>> misunderstanding this?  I mean, she is comparing 2 different
>> conversions/manipulations of 1 RAW file, not comparing multiple
>> RAWs and RAW settings, right? 
>>     May I propose a (hopefully) rigorous way to examine this:
>>     take 
>> a series of shots of the same object/scene in the exact same
>> lighting conditions, but in every "basic" WB setting.  In fact,
>> we could go further and do the same thing for every Kelvin
>> increment setting, I think.
>>     If the RAW histograms are all the same, then WB does not
>>     affect 
>> RAW exposure; if they vary, then WB does affect exposure.  We
>> could even estimate how much they affect exposure.
>>     So, is WB metadata that is recorded at exposure, but does
>>     not 
>> directly affect; or is it a "mask" that is recorded *and*
>> applied at exposure?
>>     I don't have the answer, but this clearly is an im****tant
>> issue, and I certainly would like to know, so I can set my
>> camera properly, depending on what I hope to accomplish at any
>> given shoot.
>>     Or do all y'all want to continue with the sniping, which I
>>     must 
>> say is terribly clever and entertaining.  (Not really.)
>>
>> Willa
>> --http://www.pbase.com/willarojo
>>
>> "I came into this world, not chiefly to make this a good place
>> to live in, but to live in it, be it good or bad."
>>     Thoreau, Civil Disobedience
>>
>> "We are in great haste to construct a magnetic telegraph line
>> from Maine to Texas; but Maine and Texas, it may be, have
>> nothing im****tant to communicate."
>>     Thoreau, Walden
> 
> The test that you have suggested has been conducted and re****ted
> on two or three times throughout this thread and WB has made
> absolutely no difference to exposure while shooting RAW, as the
> histograms have remained identical.
> 

    That's what I found in my own half-assed attempt at the same 
experiment.
    So, the rest of the thread is fluff, neh?

Willa
-- 
http://www.pbase.com/willarojo

“I came into this world, not chiefly to make this a good place to 
live in, but to live in it, be it good or bad.”
    Thoreau, Civil Disobedience

“We are in great haste to construct a magnetic telegraph line from 
Maine to Texas; but Maine and Texas, it may be, have nothing 
im****tant to communicate.”
    Thoreau, Walden
******
http://en.wikipedia.org/wiki/Delusional_disorder
 




 7 Posts in Topic:
Re: D200 vs D300 at ISO 1600
PixelPix <mail@[EMAIL   2008-04-12 14:04:14 
Re: D200 vs D300 at ISO 1600
Willarojo <macrophotog  2008-04-12 23:04:36 
Re: D200 vs D300 at ISO 1600
Chris Malcolm <cam@[EM  2008-04-13 10:13:09 
Re: D200 vs D300 at ISO 1600
Willarojo <macrophotog  2008-04-13 12:48:30 
Re: D200 vs D300 at ISO 1600
Colin_D <nospam@[EMAIL  2008-04-13 10:54:45 
Re: D200 vs D300 at ISO 1600
"Rita Berkowitz"  2008-04-13 16:32:09 
Re: D200 vs D300 at ISO 1600
"Mr.T" <MrT@  2008-04-14 19:19:55 

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