"Bruce" <null@[EMAIL PROTECTED]
> wrote in message
news:ds9Hj.63262$y05.46618@[EMAIL PROTECTED]
>I am just getting into 120 format B/W film processesing. The problem I
am
>having is loading the film onto the reel. I have done a lot of 35 mm
>processing in the past and didn't have a big problem with loading the
>reels, however I find the 120 format to be a lot more difficult. The
main
>problem seems to be the paper backing and the stiffer base, or
"curliness",
>of the 120 film. The reel I am using has a spring type clip.
>
> Anybody have some tips for doing this? Should I cut the film off of the
> paper reel first? Would it make sense to unroll the first part of the
> film and clip it on (in reduced light of course) and then roll on the
rest
> of the reel? If so how do I stop the rest of the spool from unreeling
> while I am clipping the leader on? Also I have seen the the past these
> "ratchet" type reels, are these a better alternative?
>
> I suspect the answer is practice makes perfect, I have a sacrificial
roll
> of film I am practicing with, but that first step of clipping onto the
> reel is a bear! Even with the lights on it is a pain to do it, in the
> dark it is much worse.
>
I start by separating the film from the paper backing. I tear the tape. I
insert the tape end under the spring clip. It is critical to get it
centered
in the clip. I find that starting with the taped end makes it easier
because
of the increased stiffness.
Bow the film slightly and roll it on. If the film consistently gives a
problem, the reel may be out of alignment. Was it ever dropped? I have
never
successfully "re-aligned" a reel-- I have a collection of reels that I've
dropped that I use for Christmas tree decorations!
Some people swear by the 'rachet' type plastic reels. They must be
bone-dry
when you load them. You may find them easier, but they are not a cure-all.
I
use both the plastic and the metal types, depending on how many rolls I
have
to process-- my largest metal tank only holds two 120 rolls.
Practice is the key. And once you get the film centered in the clip,
everythng else should be easy. I wouldn't bother with the idea of starting
the film in reduced light-- too much risk there.
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