Re: Interview with Henry Wilhelm on print permanence

Yes, it is impressive how fade resistant many of the old processes are, 
which is one reason to keep working with them. Using a digital negative 
is quite a nice way to work. I did a salt print workshop a few months
back:
http://www.dimagemaker.com/article.php?articleID=911
and loved it. I've done cyanotypes and gum bichromate in the past. It is 
all good.

Cheers,

Wayne

Wayne J. Cosshall
Publisher, The Digital ImageMaker, http://www.dimagemaker.com/
Blog  http://www.digitalimagemakerworld.com/
Publisher, Experimental Digital Photography
http://www.experimentaldigitalphotography.com
Personal art site http://www.cosshall.com/



Jem Raid wrote:
> "Wayne J. Cosshall" <wayne@[EMAIL PROTECTED]
> wrote in message 
> news:463b32eb$0$27780$afc38c87@[EMAIL PROTECTED]
>> Hi All,
>>
>> I've posted a long article in my column on an interview I had earlier 
>> today with Henry Wilhelm:
>> http://www.dimagemaker.com/specials/dimw.php
>>
>> Cheers,
>>
>> Wayne
>>
>> -- 
>> Wayne J. Cosshall
>> Publisher, The Digital ImageMaker, http://www.dimagemaker.com/
>> Blog  http://www.digitalimagemakerworld.com/
>> Publisher, Experimental Digital Photography
>> http://www.experimentaldigitalphotography.com
>> Personal art site http://www.cosshall.com/
> 
> I've had a toned Cyanotype print, made from a digital negative, on a
sunny 
> window cill at work since April 2006, no sign of it fading.
> 
> Jem 
> 
>